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 Technical |
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For specific technical information about our facilities click links below: Recording Principal Hardware Mastering and De-noising Hardware Features Synthesisers Software Monitoring Outboard |
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A quartet of Yamaha Digital Mixers including the all new O2R 96, providing for both the present and the future, with 96khz recording, surround mixing and monitoring. A 24-bit hard disk based digital recording system hosted on a number of networked PCs. We use removeable storage media and total recall facilities to allow swift transfer from one project to another. *Full Mix
Automation and Total Scene Recall *Almost 150
channels of hardwired digital and analogue inputs spanning all popular
and standard connector formats, i.e
Balanced XLR, TRS Balanced, Jack and Phono Unbalanced, S/PDIF, AES/EBU,
ADAT, TDIF...etc, etc. *Eventide
Eclipse - DSPFX Harmoniser *TC Works M3000 - Reverb *TC Works Voice One *DBX Digital
Dynamics Processor *Zoom 1201
*MOTU Midi Mixer 7s Alesis QSR, Alesis DM5, Proteus 2500 Command Station, Yamaha SY85, Roland JV30, Yamaha DJX I, II, IIB, Roland Electric Piano FP8, Yamaha WX5 Expressive Midi Wind Controller, VL70M, Johnson J Station and Roland VG88 Guitar Processors, various Drum Processors. Steinberg Cubase VST32 v5.1r1 and Cubase SX v1.051. Steinberg Nuendo and Protools both available on request Sound Forge and Wavelab editors Creamware Scope including Inferno, Poison, Vector Player, FM1, Sample Players.....etc, etc. And a plethora of VST plugin instruments and effects. Mackie HR824 Active Nearfields Leak 2600s Tannoy Limited Edition 631s Pioneer SX323 |
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Principal hardware |
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| Sound cards by :- |
Mark of the Unicorn (2408 Mk1 and MKIII) Creamware
Pulsar (Scope v3.1c) |
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| Various
other analogue and digital mixing desks Tascam DAT Aiwa + Yamaha minidisks Return to top |
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| Mastering and de-noising spec. | ||||||||
| De-noising and sonic restoration are both techniques by which the essential or original sound you have produced can be enhanced, and redundant surface noise in your recording can be removed. There exists both a hardware and a software element to this process. | ||||||||
| Here are some of the many facets of the sonic restoration operation used frequently by our mastering house: | ||||||||
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Digital
noise printing and reduction Subtractive synthesis Click removal Pop removal De-essing in preparation for radio play De-hissing Vinyl restoration Hum removal Machine noise removal Multi-band dynamics Compression/limiting Digital enhancement of very poor sources such as audio cassette to produce high quality CD representation Contact us for more information Return to top |
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| Hardware : | ||||||||
| Dynamics
processors including compressors, limiters, expanders, companders, noisegates,
aural exciters and enhancers and parametric, graphic and paragraphic systems.
We are 24-bit 96 khz-ready to meet future recording industry standards as
well as those currently in force. Return to top |
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Software :
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